Instead, this tongue gathers in the expectation
of a meal
Small-talk mastication. Never finally deciding
On where or what to eat
Stop pretending it’s not there. The moon’s
cuticle
Oh at least bad metaphors cannot be ignored
I’m tired of loving it. It is actually cheaper
than cocaine
Desperation is a valuable commodity. It waters
and feeds me
And I keep seeding it. I keep binging it
(“POWER BOTTOM’S DREAM”)
Vancouver
writer Danielle LaFrance’s latest, JUST LIKE I LIKE IT (Vancouver BC: Talonbooks, 2019), is a book that revels in
failure, whether around writing, power or ambition, and exploring ideas of obsession,
anxiety and resignation even against a foundation of a fiery ‘kicking against
the pricks.’ As the poem “VII” from the opening section “IT MAKES ME ILIAD” (a
poem-section that reworks the ancient text), “JUST LIKE I LIKE WHEN BOTH / SIDES
AGREE,” writes: “Depression is the natural
state in times like these. & the / fault, of course, is not
in the stars, but in ourselves.” JUST LIKE I LIKE IT is LaFrance’s third trade poetry title, after Friendly + Fire (Vancouver BC: Talonbooks,
2016) [see my review of such here] and Species Branding (Vancouver BC: CUE, 2010), and there is an emotional rawness and vulnerability
reminiscent of another recent Talonbooks title, Calgary poet Nikki Reimer’s My Heart Is a Rose Manhattan (Talonbooks,
2019) [see my review of such here], but one that also revels in guttural sound
and image, and a swagger that refuses to slow or tone down even when
off-balance. Her book’s title seems to offer itself both as a challenge and
admission, set in all caps. Is this shouting, or simply holding firm? Perhaps both;
perhaps tired of being asked or corrected, repeatedly. What appeals here is in
the rawness of the material, and the ways in which LaFrance opens up the
possibilities of what poetry can or should be doing, and could become, such as
this section of the poem-section “IT SOUNDS LIKE A SMALL SCUM,” that reads:
BANG!
SOME KIND OF
CITY, SOME KIND
OF WOMAN JUST
APPEARS. MAYBE
MEMORIES OF THE
THINGS I SAW
YESTERDAY, OR
THE DAY BEFORE
[…] I DON’T THINK
ABOUT WHAT
COMES NEXT
IT JUST POPS UP
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