Vile lego
are you didn’t arms, turn grinning
weren’t scared; so placed cause crying
need to grip open, open
what cha yell
ya tell doe
and driving ya
talk you because
like trying
standing dark footsteps, on sound
won’t somebody take; I’m face,
and damn figure new, I’m everything
home sucks a pack up
to turn on everything in evering
turn my mobile my stretch
ow oh ou ou ile
sometimes I out laugh sleep, drive it
is love breath bleed, is please
; make anything alive, let beautiful no way
hinge tug ring moth
ring eep ool ow
I’m a ring inside my head
fling rot rot it yeah
fall what feel, and better show bloom
before lie with backbone; yeah, turn wanna
telling spoon simple, what a couple down doubt
Naked up the morning
that’s not a sometimes
then the walls hinge up seed
rive ever his rust
his naked round right raid
it’s someone funny, think weed cool point
figured storied always, made tough that look
; face you, world mirror late
smoke still
please me, place I, cause i
someone me
the same sometimes i
all that shaking wet smile, set wanted you
don’t ignore want, shut way, make
so words belong song, if take
I wanna you you ya
but I don’t
I you ay ay you
ey ah ah
ey ah ah ah ah ot
chorus
he was ballet shock clothes, he was
a boi space baby, she showed guitar
sorry girl, obvious; that stage we wrote
This is a plunderverse that Gregory Betts and I wrote this morning on the rooftop deck of his Davenport Road apartment in Toronto; its plundered from Avril Lavigne's first album, Let Go. Not the first time I've collaborated with anyone, there's the bit I did with Matthew Holmes about two years ago at Sneaky Dee's (that I still don't have copies of), or the bit with Lea Graham. Check out his plunderverse call for submission (with deadline recently extended...). What else can I tell you? What else do you want to know? Will I see any of you at my Art Bar reading tonight?
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