new from above/ground press: Brockwell, Hall/Kinmond, Mavreas, Ross, hanna, Rodríguez, Caple, Polyck-O'Neill, Christie, Sharp, Ayer + Boisvert,

Immune to the Sacred
Stephen Brockwell
$5
See link here for more information

Alternative Girders
a collaboration / 2014 - 2017
Stuart Kinmond  /  Phil Hall
$5
See link here for more information

A MERCY OF SIGNS
Billy Mavreas
$4
See link here for more information

ESPESANTES
Stuart Ross
$5
See link here for more information

 

CONCEALED WEAPONS / ANIMAL SURVIVORS
natalie hanna
$5
See link here for more information

ANGELTONGUE / LENGUA DE ÁNGEL
Miguel E. Ortiz Rodríguez
$5
See link here for more information

Love / Wildness
Natalee Caple
$5
See link here for more information

Everything will be taken away.
Julia Polyck-O’Neill
$5
See link here for more information

glass language (excerpt)
Jason Christie
$5
See link here for more information

Sinister Queer Agenda
Travis Sharp
$5
See link here for more information

LIMPING TO THE BIG BAD
Beth Ayer
$5
See link here for more information

EGOCIDES
Jon Boisvert
$5
See link here for more information

keep an eye on the above/ground press blog for author interviews, new writing, reviews, upcoming readings and tons of other material;

published in Ottawa by above/ground press
July-August 2018
celebrating twenty-five years of above/ground press
a/g subscribers receive a complimentary copy of each

To order, send cheques (add $1 for postage; outside Canada, add $2) to: rob mclennan, 2423 Alta Vista Drive, Ottawa ON K1H 7M9 or paypal/e-transfer via rob_mclennan (at) hotmail.com. Scroll down here to see various backlist titles (many, many things are still in print).

Review copies of any title (while supplies last) also available, upon request. And, coming soon: 2019 subscriptions!

Forthcoming chapbooks by Sacha Archer, Sandra Ridley, Lisa Rawn, Ian Dreiblatt, Jamie Townsend, Cole Swensen, Melissa Eleftherion, Uxío Novoneyra (trans. Erín Moure), Dennis Cooley, Michael Martin Shea and Jennifer Stella, as well as the nineteenth issue of Touch the Donkey!

THE ABOVE/GROUND PRESS SILVER ANNIVERSARY READING/LAUNCH/PARTY!

celebrating twenty-five years of continuous activity (and nearly nine hundred publications), Ottawa publisher above/ground press presents: 

nine readings and chapbook launches by:

Natalee Caple (St. Catharines ON)
Jason Christie (Ottawa)

Julia Polyck-O’Neill (Toronto)
Stuart Ross (Cobourg ON)
Aaron Tucker (Toronto)
Phil Hall (Perth ON)
Stephen Brockwell (Ottawa)
natalie hanna (Ottawa)
+ Billy Mavreas (Montreal) 

lovingly hosted by above/ground press editor/publisher rob mclennan 
SATURDAY, AUGUST 25, 2018
Vimy Brewing Company
145 Loretta Ave N #1, Ottawa, ON K1Y 2J7
http://www.vimybrewing.ca/
7pm door/7:30pm reading

$6 at the door; includes a copy of a recent above/ground press title

THIS EVENT WILL ALSO SEE THE INTRODUCTION OF LIMITED-EDITION SWAG (T-SHIRTS AND TOTE BAGS), PRODUCED BY OTTAWA’S OWN TROUBLEMAKER PRINT https://www.facebook.com/TroublemakerPrint/

See the Globe & Mail’s recent piece on the press here.

See rob’s write-up earlier this year onthe press here.

As well as a series of essays by avariety of above/ground press authors and friends of the press here.

author/performer biographies: 

Natalee Caple is the author of nine books of poetry and fiction. Her latest book of poetry, Love in the Chthulucene/Cthulhucene (from which these poems come) will be out with Wolsak and Wynn in Spring 2019. Natalee is an associate professor at Brock University.

She will be launching her third chapbook with above/ground press—Love / Wildness (2018)—after The Appetites of Tiny Hands (1997) and The Appetites of Tiny Hands: Twentieth Anniversary Edition (2017). 

Jason Christie is the author of Canada Post (Snare), i-ROBOT (Edge/Tesseract), Unknown Actor (Insomniac), and a co-editor of Shift & Switch: New Canadian Poetry (Mercury). His next book will be published by Coach House in the Spring of 2019.

He will be launching his sixth chapbook with above/ground press—glass language (excerpt) (2018)—after 8th Ave 15th St NW. (2004), Government (2013), Cursed Objects (2014), The Charm (2015) and random_lines = random.choice (2017). 

Julia Polyck-O’Neill is an artist, curator, critic, and writer. She is a doctoral candidate in Brock University’s Interdisciplinary Humanities program, where she is completing a SSHRC-funded interdisciplinary and comparative critical study of contemporary conceptualist literature and art in Vancouver. She has taught in art history and contemporary visual culture, and was, until very recently, a visiting lecturer and scholar in Transnational American Studies at Johannes Gutenberg University in Mainz, Germany. Her writing has been published in B.C. Studies, Feminist Spaces, Tripwire, Fermenting Feminisms (a project of the Laboratory for Aesthetics and Ecology, curated by Lauren Fournier), The Avant Canada Anthology (WLU Press, forthcoming 2018), and is co-editing a special issue of the journal Canadian Literature with Gregory Betts. Her debut chapbook, femme, was published in 2016 by above/ground press.

She will be launching her second chapbook, Everything will be taken away. (2018). 

Stuart Ross is the author of 20 books of poetry, fiction, and essays, and countless chapbooks and ephemera. His most recent books include the novel-in-prose-poems Pockets (ECW Press, 2017) and the poetry collection A Sparrow Came Down Resplendent (Wolsak and Wynn, 2016), which won the Canadian Jewish Literary Award for Poetry in 2017. Other titles include the poetry collection A Hamburger in a Gallery (DC Books, 2015), the novel Snowball, Dragonfly, Jew (ECW Press, 2011), and the story collection Buying Cigarettes for the Dog (Freehand Books, 2009). Stuart began his literary career by selling his self-published chapbooks on the streets of Toronto during the 1980s, wearing signs like “Writing Going To Hell: Buy My Books.” He was the 2010 Writer in Residence at Queen’s University, and has taught writing workshops across Canada. His poetry has recently been translated into French; other translations, into Nynorsk and Spanish, are in progress. His micropress, Proper Tales, is lurching toward its 40th year of publishing. Stuart lives in Cobourg, Ontario.

He will be launching his above/ground press debut, ESPESANTES (2018). 

Aaron Tucker is the author of the forthcoming novel Y: Oppenheimer, Horseman of Los Alamos (Coach House Books) as well as two books of poetry, Irresponsible Mediums: The Chess Games of Marcel Duchamp (Bookthug Press) and punchlines (Mansfield Press), and two scholarly cinema studies monographs, Virtual Weaponry: The Militarized Internet in Hollywood War Films and Interfacing with the Internet in Popular Cinema (both published by Palgrave Macmillan).

His current collaborative project, Loss Sets, translates poems into sculptures which are then 3D printed (http://aarontucker.ca/3-d-poems/); he is also the co-creator of The ChessBard, an app that transforms chess games into poems (http://chesspoetry.com).

An earlier version of punchlines was released by above/ground in the summer of 2013. His poetic works and reviews have been published across Canada. His previous chapbook, apartments, was shortlisted for the 2010 bpNichol Chapbook award.

Currently, he is an uninvited guest on the Dish with One Spoon Territory, where he is a lecturer in the English department at Ryerson University (Toronto), teaching creative and academic writing. You can reach him atucker[at]ryerson[dot]ca

Tucker is the author of three above/ground press chapbooks, including apartments (2010), punchlines (2013) and this year’s Catalogue d’Oiseaux (2018). 

Phil Hall’s most recent books are Guthrie Clothing: The Poetry of Phil Hall – A Selected Collage (Sir Wilfrid Laurier University Press, 2015), Conjugation (BookThug, 2016), & Le pluvier kildir (translated by Rose Després / Prise de parole, 2015). He lives near Perth Ontario.

He will be launching his third above/ground press chapbook—a collaboration with Stuart Kinmond, Alternative Girders (2018)—after Verulam (2009) and the collaborative Shikibu Shuffle (with Andrew Burke; 2012). 

Stephen Brockwell cut his writing teeth in the ’80s in Montreal, appearing on French and English CBC Radio and in the anthologies Cross/cut: Contemporary English Quebec Poetry and The Insecurity of Art (both Véhicule Press, 1982). All of Us Reticent, Here, Together won the Archibald Lampman award for best book of poetry in Ottawa in 2017. Brockwell currently operates a small IT consulting company from an office in Ottawa’s By Ward Market.

He will be launching his fifth above/ground press chapbook—Immune to the Sacred (2018)—after Marin County Poems (2001), Impossible Books (the Carleton Installment) (2010), Excerpts from Impossible Books: The Crawdad Cantos (2012) and Images from Declassified Nuclear Test Films (2014). 

natalie hanna is a queer, feminist, ottawa lawyer, of middle-eastern descent working with low income populations. her writing focuses on feminist, political, and personal themes. She runs battleaxe press (small poetry press) / is the Administrative Director of the Sawdust Reading Series / serves as newsletter editor and board member at Arc Poetry Magazine.  Her work, interviews, have appeared online and in print in various publications, including with Literary Landscapes, In/Words Magazine, phafours press, Hussy Press, Bywords, the Dusie Blog, the Chaudiere Books Blog, Canthius, shreeking violet press, and Peter F. Yacht Club,  among others. This is her 10th chapbook. Find her at: https://nhannawriting.wordpress.com to learn more

She will be launching the chapbook CONCEALED WEAPONS / ANIMAL SURVIVORS (2018), her third with above/ground press, after “this evidence against you,” produced as STANZAS #21 (October 1999), and dark ecologies (2017).  

Billy Mavreas is a Montréal based writer and artist who makes comics, collage, visual poetry and more. His studio and art shop, Monastiraki, is celebrating twenty years of idiosyncrasy in the Mile-End neighbourhood (1998-2108).

He will be launching his above/ground press debut, A MERCY OF SIGNS (2018).

Touch the Donkey supplement: new interviews with Kasimor, Mavreas, lopes, Smith, L’Abbé, Price and rawlings

Anticipating the release next week of the ninth issue of Touch the Donkey (a small poetry journal), why not check out the interviews that have appeared over the past few weeks with contributors to the eighth issue: Mary Kasimor, Billy Mavreas, damian lopes, Pete Smith, Sonnet L’Abbé, Katie L. Price and a rawlings.

Interviews with contributors to the first seven issues, as well, remain online, including: Suzanne Zelazo, Helen Hajnoczky, Kathryn MacLeod, Shannon Maguire, Sarah Mangold, Amish Trivedi, Lola Lemire Tostevin, Aaron Tucker, Kayla Czaga, Jason Christie, Jennifer Kronovet, Jordan Abel, Deborah Poe, Edward Smallfield, ryan fitzpatrick, Elizabeth Robinson, nathan dueck, Paige Taggart, Christine McNair, Stan Rogal, Jessica Smith, Nikki Sheppy, Kirsten Kaschock, Lise Downe, Lisa Jarnot, Chris Turnbull, Gary Barwin, Susan Briante, derek beaulieu, Megan Kaminski, Roland Prevost, Emily Ursuliak, j/j hastain, Catherine Wagner, Susanne Dyckman, Susan Holbrook, Julie Carr, David Peter Clark, Pearl Pirie, Eric Baus, Pattie McCarthy, Camille Martin and Gil McElroy.

The forthcoming ninth issue features new writing by: Stephen Collis, Laura Sims, Paul Zits, Eric Schmaltz, Gregory Betts, Anne Boyer, François Turcot (trans. Erín Moure) and Sarah Cook. And, once the new issue appears, watch the blog over the subsequent weeks and months for interviews with a variety of the issue's contributors!

And of course, copies of the first eight issues are still very much available. Why not subscribe?

We even have our own Facebook group. You know, it's a lot cheaper than going to the movies.

Ongoing notes: the ottawa small press book fair (part two,

My first report on our small press fair lives here, in case you missed it. Here are a couple more items I managed to pick up over the weekend. Are you jealous yet?

Kingston ON: It took a while for me to pick up a copy, but I finally collected Phil Hall’s limited-edition letterpress sequence, X (Thee Hellbox Press, 2013), a meditative breath-take constructed out of fragments, pauses and a steady, staggered cadence, much as any regular or irregular reader would come to expect from Hall. There is always such delight that comes from reading a new poem by Hall, watching his lines and language bounce and gyrate across patterns and the page, reveling in unusual sounds, shocks and digressions, even has he explores a particular series of dark moments from without and within. As he writes on the first page: “arcs   letters   curls of let / wait wit   wait   a song // grows a nail   from a moo— [.]”

  Few poems worth knowing

worth suspect   knowing suspect    /     few suspect

  seeing double    hearing less out of one ear

to have had to be 60 to say in a poem the abuser’s name

  is this success or failure   both   neither

my tongue’s baloney-smell    articulating adios

Hall’s poem is beautifully designed and printed by Hugh Barclay in a numbered edition of 106 copies, with artwork throughout by Michèle LaRose and signed by all three (mine is #87). This is the 47^th book produced by Barclays’ Thee Hellbox Press.

LaFarge WI: It was good to see Montreal’s Billy Mavreas [pictured] make his first ever appearance at our Ottawa fair, especially with publications such as his HOOCH POP TYPOS (Xexoxial editions, 2013), published as “xerolage 57,” a collection of concrete poems/visual images. As Mavreas writes at the back of the small collection:

Hooch Pop Typos collects individual works spanning approx. 3 years that seek to mimic the aesthetic of degenerated photocopies using the tools of Adobe Photoshop.

[…]

With exception of 3 pieces, these works saw their beginning as images found via random internet image searches. An image, representing the search ‘document’, for example, would be downloaded, colour removed, high contrast black and white implemented and then filter, copy, paste, crop, repeat until finished. The 3 remaining pieces saw their start on the photocopy machines’ glass and then were brought in for alteration.

[…]

This publication, whose title is an anagram of the three words: Photo, Copy & Shop, is a welcome real world manifestation of these digital impulses.

Part of what I’ve always found curious about Mavreas’ work is the fact that he appears to have come into concrete and visual poetry via his work as a visual artist, as opposed to from a more traditional text-based writing practice. Working very much in the “dirty concrete” realm of concrete/visual poetry, his bio informs that: “His foray into concrete poetry and asemic writing started early via a love for mysterious symbols, rocknroll lettering and SF&F. Xerox manipulations and mail-art sealed the deal in the late 1980s as he entered and participated in the network as EHEL. His art practice is based on accumulation and accretion, consisting of various personal collections, made and found, that resonate with him on an aesthetic and spiritual level.” As part of an interview forthcoming at Touch the Donkey, he writes:

Many artists I’ve seen who explore visual poetry and comics tend to stay closer to the realm of abstract or experimental comics. In my case my comics have been experimental and I still make abstract comic work but I’ve been tending towards more direct narrative, straight up comic work so to speak, which is a great challenge, whereas my poetry tends way more towards abstraction, conceptual writing and visual poetics. My poetry that isn’t visual is usually rock lyrics, bumper stickers, band names and other stuff that remains more or less private, unpublished or juvenile.