Mugabi Byenkya is
a writer,
poet and occasional rapper. He was born in Nigeria, to Ugandan parents and is currently
based between Kampala and Toronto.
Mugabi was
longlisted for the Babishai Niwe Poetry Award in 2015. His essays and poetry
have been published in The Good Men Project, African Writer,
Arts and Africa
and The Kalahari Review, among others. He has been interviewed
on Voice of America, NTV Uganda, and Brittle Paper, among other media outlets.
Mugabi's writing is
used to teach international high school English reading comprehension. His
debut experimental epistolary speculative novel, ‘Dear Philomena,’ was
published in 2017 and he recently concluded a 42 city, 4 country North
America/East Africa tour in support of this. In 2018, Mugabi was named one of 56 writers who has contributed to his native Uganda’s literary heritage in the 56 years since
independence by Writivism. Dear Philomena, was
named a Ugandan bestseller in the same year.
1 - How did your first
book change your life? How does your most recent work compare to your
previous? How does it feel different?
My first book was written to face my impending death. I was given a year
left to live by the doctors and started writing as a last-minute attempt to
fulfil a lifelong dream. I have yearned for a career as an author since I was 4
years old but was pushed out of it and encouraged to write on the side due to
my community’s desire for me to have a more sustainable and practical career in
STEM. Facing my impending death, unemployed and suffering from various
debilitating chronic illnesses, I figured there was no better time than the
present to write that book! Fast forward to 4 years later: I’m not dead, have
significantly better mental health, managed to publish my debut epistolary
experimental speculative novel to critical and commercial acclaim and have
toured through 42 cities thus far establishing a career as an author.
2 - How did you come to poetry first, as opposed to, say, fiction or
non-fiction?
I actually came to fiction first but this was as a child before I was
writing and performing professionally. I came to poetry first professionally
through rap. My older brother is an incredible rapper/singer/songwriter who I
consider one of my favourite writers and look up to immensely. I started
rapping because I wanted to be like my older brother but I had a lot of
difficulty finding a producer to work with long term. Poetry was therefore a
natural progression as it’s essentially acapella rap. As my brother once told
me, “Rhythm And Poetry is what makes up the R.A.P”
3 - How long does it take to start any particular writing project? Does
your writing initially come quickly, or is it a slow process? Do first drafts
appear looking close to their final shape, or does your work come out of
copious notes?
This depends on the length of the writing project. Poetry and essays
come to me quickly but longer form writing projects come very uniquely, some
come slow, others come quick. My first drafts tend to be incredibly verbose and
significantly longer than their final shape because I make copious notes for
later edits during the writing process. For example, my first draft of ‘Dear
Philomena’ was 600+ pages while the final product was 216 pages.
4 - Where does a poem or work of fiction usually begin for you? Are you
an author of short pieces that end up combining into a larger project, or are
you working on a "book" from the very beginning?
I’m definitely an author of short pieces that I end up combining into a
larger project as far as my books are concerned. ‘Dear Philomena,’ started as a
series of letters that I was writing for catharsis and my second book that I’m
currently working on started as disparate entities that came together over
time. My poems however, are usually outlined from the very beginning.
5 - Are public readings part of or counter to your creative process? Are
you the sort of writer who enjoys doing readings?
I come from a performance background through rap and spoken word poetry so
I LOVE doing public readings and they contribute significantly to my creative
process. As I stated earlier, my older brother is a musician who comes from an
older tradition. In recent years, due to the democratization of the internet, more
musicians are blowing up off a viral hit/project with next to no performance
history. I’ve seen people go on national tours that are their first times
performing to an audience. My brother is the complete opposite who recognizes
that writing a song is very a different process from recording a song in the
studio which is a very different process from performing a song on stage. He
strives to hone and develop his craft in all these disparate skillsets which is
an attitude that he raised me with and I carry through my writing as they all
complement each other.
6 - Do you have any theoretical concerns behind your writing? What kinds
of questions are you trying to answer with your work? What do you even think
the current questions are?
My writing is often infantilized. It is seen by some as simplistic and
lacking depth because I prioritize accessibility and centring marginalized
bodies. I find this to be incredibly ableist as one of the theoretical concerns
behind my writing, is creating literature that is accessible to folks of
different abilities. My writing engages non-native English speakers, people who
don’t read books and neurodivergent folks who haven’t read books in years due
to inaccessibility. My writing gives readers the choice of how deep they want
to dive rather than making that choice for them.
7 – What do you see the current role of the writer being in larger
culture? Does s/he even have one? What do you think the role of the writer
should be?
I see the current role of the writer as whatever the individual writer
determines it to be. Being cognizant of not taking up space unjustly when the
torch should be passed to others and not telling a story when it is not yours
to tell.
8 - Do you find the process of working with an outside editor difficult
or essential (or both)?
I’ve been blessed that all outside editors I’ve worked with have been
essential and caring, providing me much needed perspective as I create and
inhabit my writing which skews my perspective.
9 - What is the best piece of advice you've heard (not necessarily given
to you directly)?
“To be gentle means to blend your emotions with others”
-
King T’Challa
10 - How easy has it been for you to move between genres (poetry to
fiction)? What do you see as the appeal?
I write significantly more poetry than I do any other genre but moving between
genres is refreshing as it gives me the opportunity to rest certain writing
muscles and explore others.
11 - What kind of writing routine do you tend to keep, or do you even
have one? How does a typical day (for you) begin?
I don’t have a consistent writing routing as I don’t have typical days
due to the unpredictable nature of my disabilities/self-employment. However, I
do have this 😊
https://mysmallpresswritingday.blogspot.com/2018/09/mugabi-byenkya-my-small-press-writing.html?m=1
https://mysmallpresswritingday.blogspot.com/2018/09/mugabi-byenkya-my-small-press-writing.html?m=1
12 - When your writing gets stalled, where do you turn or return for
(for lack of a better word) inspiration?
Beautiful art that I’ve never experienced inspires me when I’m stalled.
New albums from beloved musicians, new exhibitions from vibrant artists, new
books from favoured authors etc.
13 - What fragrance reminds you of home?
A simmering pot of groundnut sauce
14 - David W. McFadden once said that books come from books, but are
there any other forms that influence your work, whether nature, music, science
or visual art?
The cadences employed by rapper Ab-Soul, the brush strokes of artist
James Michael Yeboah and the brash trumpeting of Knott Rudy among others.
15 - What other writers or writings are important for your work, or
simply your life outside of your work?
3-Card, Elee Kraljii Gardiner, Janet Mock, Mark Hoppus, Kagayi Ngobi,
Jennifer Nansubuga-Makumbi, Tom Delonge, Samiya Bashir, Isabel Allende, Jaden
Smith, Sam Bailey and too many others to name!
16 - What would you like to do that you haven't yet done?
Adopt a cat
17 - If you could pick any other occupation to attempt, what would it
be? Or, alternately, what do you think you would have ended up doing had you
not been a writer?
Therapist
18 - What made you write, as opposed to doing something else?
“I write because it’s a release
a way to squeeze
all the emotions inside of me
and defecate them verbally”
a way to squeeze
all the emotions inside of me
and defecate them verbally”
19 - What was the last great book you read? What was the last great
film?
‘Trauma Head’ by Elee Kraljii Gardiner. She doesn’t bother explaining,
situating or putting a disclaimer for able-bodied folks. Instead, she writes
centring disabled and neurodivergent life in such a refreshing way that I had
yet to read. She’s the definition of For Us, By Us.
The last great film I saw was John Wick 2 because Keanu Reeves is a badass with bulletproof suits and all the fanciest guns in the world but cracked his phone screen because he didn’t have a case.
The last great film I saw was John Wick 2 because Keanu Reeves is a badass with bulletproof suits and all the fanciest guns in the world but cracked his phone screen because he didn’t have a case.
20 - What are you currently working on?
I’m
currently working on my second book, planning the final leg of my book tour and
incorporating more deliberate rest into my hectic weeks.
