Showing posts with label Apostrophe Press. Show all posts
Showing posts with label Apostrophe Press. Show all posts

Wednesday, March 15, 2017

Today is my Forty-Seventh Birthday:



And, as I’ve been saying lately, “forty-seven: the age where birthdays become slightly less funny.”


My actual birthday party hasn’t occurred yet (this Saturday night, upstairs at the Carleton Tavern, if you are so inclined), so there aren’t any photos to post. The past near-year has been a flurry of activity: Aoife turns one in a month, which means Christine returns to work but days after that, at the end of her year-long maternity leave. We’ve both been frantically pushing to get as much work done as possible finished before such occurs, including the edits on her second trade collection, Charm [you should totally pre-order a copy], which appears in June with BookThug, or the array of projects I’ve been working on, including my collection of short fiction, “On Beauty,” my post-mother creative non-fiction project “The Last Good Year,” the poetry manuscript “World’s End” or more recent “the book of smaller” (poems from which I’ve been posting lately). One of the poems from the latter includes:

Forty-seventh birthday

Your grammar is hostile. Legion, for I contain. This petrified forest. My organs harden, fossilize. What I am acquainted with. The angle of compass points. Arteries. Old photos, the rootbed of inquiry. Days and nights and spelling. Hand-stitched. History: a blanket of dead metaphor. Stumbles, over the brim. We are so close to midnight. All my years hold their breath.

The girls grow and are hilarious. We’ve been noticing that they’re both ‘hammy,’ but in different ways: Rose is more vocal and a bit more ridiculous, and Aoife is (at least so far, given her age; she might shift over the next year) far quieter, and more sly. Rose, of course, isn’t quiet about anything, and doesn’t seem to lack a speck of confidence. The differences between them are quite interesting. Otherwise, I am still in contact with my birth mother, but everything moves slow. No photo yet or phone call. Eventually, I’m hoping, we’ll get there.

And then, last week, we discovered that my father has apparently had MS for nearly a decade. He’d had the same doctor for decades, who finally retired into his 80s, which meant that my father actually started having someone capable look after him (many requests for different things were dismissed out of hand). Having survived heart and cancer (twice) stuff, it seems overload for him to have this now as well to deal with. After years of multiple MRIs and x-rays and such, we’re relieved to know what the problem is, and hopefully they can figure out some kind of way for him to deal with the pain. His mobility is getting a bit limited, but apparently he’s got a variety of MS that isn’t really expected to get worse. God sakes.

I’ve actually produced a small chapbook as handout for my birthday (and for my Patreon supporters), so if you wish for a copy as well, simply send me $5 (for American orders, $5 US; for international orders, send $7 CDN) via my paypal/donate button above, and I’ll send you a copy. Limited to one hundred copies! And include poems from my current poetry manuscript-in-progress, “the book of smaller.” If you’re one of my “chapbook” Patreon supporters, expect a copy soon in the mail.

I kept hoping that I would have had the non-fiction manuscript completed and out the door by now, so I could once again return to the “big novel,”

In a month or so, I return to being home full-time, this time with two wee girls. I shall be baking, and erranding, and house-being. Colouring, tea parties and the like. At least for the first little bit, Rose still has preschool five mornings a week, as Aoife settles into a nap schedule. Might I have some options for writing during Aoife’s naps? Fall means Rose begins junior kindergarten, and Aoife will begin two mornings a week at preschool, so I’ll have my mornings back, but I expect the summer to include a juggling of “mother’s helpers” and an array of activities: wading pool, walks, picnics and park excursions. Until then, I’ve a month to get AS MUCH WRITING DONE AS POSSIBLE before that begins.

And of course, once I’m home full-time with the girls, I’ll be scheduling multiple mornings in which folk come by for tea. You in?

Sunday, October 30, 2016

Joel W. Vaughan reviews my Four Stories (Apostrophe Press, 2016) in Broken Pencil

Joel W. Vaughan was good enough to review my Four Stories (Apostrophe Press, 2016) in Broken Pencil. You can see the review here. I have only a couple copies left, so if anyone is interested, shoot me an email at rob_mclennan (at) hotmail.com (although I've been thinking about reprinting/reissuing it). As he writes:
Printed specifically for the University of Alberta’s Writer-in- Residence 40th Anniversary celebration, mclennan’s humble chapbook is as characteristically poignant as it is short-lived. This is no disparagement: right down to its bright yellow fly-leaves and lone, centered saddle- stitch staple, Four Stories is nifty—well worth its asking price.

Mclennan here, presents four previously published pieces, each four to five pages in length. His narrative voice rings familiar through all four, whether told autobiographically or in the third person, allowing his punchy visualizations to take the forefront both in personal observation (viz. “Reading my late afternoon newspapers at the pub, I see the sweetest looking young woman in a floral print dress stroll past bay window. She is summertime, blissful. In her left hand, fresh broccoli.” or an omniscient digression (viz. “She has been wanting to replenish their supply of preserves. Applied correctly, wax seals freshness in. / Cellar shelves by the cistern. Fresh cobwebs and field mice.” Mclennan’s loose piling of prose into stanzas suspends expectations, here, and makes a contemporary narrator feel natural throughout the timeless setting he sets out to build, word by word.

None of these four stories can be connected by time-line or geography, though thematically they express a preoccupation with Time, Absence, and Change: grand notions for the likes of a 19- page chapbook, but Mclennan does not disappoint. “Four Stories” is understated in its construction, and demands multiple read-throughs.

Thursday, September 15, 2016

new from Apostrophe Press: A perimeter, by rob mclennan


If anyone is interested, I have a couple of copies left of this limited-edition chapbook, an excerpt of my forthcoming poetry title with New Star (October).

A perimeter
rob mclennan
$4

A

The property boundary is handmade (shared). Fluid,
and only fluid. Unless
you know precisely where. The skin

and space of white noise (hearth). One hundred foot of fence.

Language is impermanent. We retain nothing, have no
specific form. The latent grass, explode; infect
the yard and underneath the stone-work.

The neighbour’s garden, glistens. Scars. We translate always
from another.


B

Confirm
my personal association. The lawn requires trim,

and so it does.

A sanity short of despair. Lawn ornaments
are temporal. And yet: this sky of relative divergence
upon the written word, my daughter’s

childhood memories. What separates us
no more a thickness

than this house brick. At best, let’s say.

published in Ottawa by Apostrophe Press
September 2016


published in Ottawa for the author’s Patreon supporters, as well as for limited distribution as part of the above/ground press 23rd anniversary reading/launch/party at Black Squirrel Books, Ottawa, September 10, 2016, and PHILALALIA, the three-day small press/art fair, September 15-17, 2016 in Philadelphia PA. Thanks much to Kevin Varrone for his help and support.

The poem “A perimeter” is the title poem from a new poetry title to appear this fall from New Star Books, Vancouver.

To order, send cheques (add $1 for postage; outside Canada, add $2) to: rob mclennan, 2423 Alta Vista Drive, Ottawa ON K1H 7M9 or paypal at www.robmclennan.blogspot.com

Tuesday, March 01, 2016

new from above/ground press: Moure, Braune, Gunnars, Hogg, Burgoyne, Touch the Donkey, The Peter F. Yacht Club, etc

panpiped panacea / панацея, ten poems 
Yuri Izdryk, trans. Roman Ivashkiv and Erín Moure
$4
produced, in part, for a series of events at the University of Alberta, March 3-5, 2016, to celebrate the 40th anniversary of their writer-in-residence program

See link here for more information

the vitamins of an alphabet
Sean Braune

$4

See link here for more information

snake charmers : a cycle of twenty poems
Kristjana Gunnars

$4
produced, in part, for a series of events at the University of Alberta, March 3-5, 2016, to celebrate the 40th anniversary of their writer-in-residence program

See link here for more information

from Lamentations
Robert Hogg

Second (expanded) edition
$4

See link here for more information

A Precarious Life on the Sea
Sarah Burgoyne

$4

See link here for more information

Touch the Donkey #8
with new poems by Mary Kasimor, Billy Mavreas, damian lopes, Pete Smith, Sonnet L’Abbé, Katie L. Price, a rawlings and Gil McElroy.
$7

See link here for more information

The Rose Concordance
rob mclennan

$4

See link here for more information

assignment: zero
a series of responses to Crosscut Universe:  Writing on Writing from France, ed. & trans. Norma Cole
with new poems by Frances Boyle, Amanda Earl, Claire Farley, Rosemarie Krausz, Barbara Myers and Dawn Steiner.
$4

See link here for more information

The Peter F. Yacht Club #23
$6

new writing [and artwork!] by a host of The Peter F. Yacht Club regulars and irregulars, including Cameron Anstee, Jason Christie, Anita Dolman, Amanda Earl, Claire Farley, Marilyn Irwin, Chris Johnson, Ben Ladouceur, N.W. Lea, Karen Massey, Gil McElroy, rob mclennan, James K. Moran, Dylan Moran-Dolman, Peter Norman, Pearl Pirie, Roland Prevost, Monty Reid, Peter Richardson, Janice Tokar and Chris Turnbull.
See link here for more information

Four Stories
rob mclennan

$4
Apostrophe Press
produced, in part, for a series of events at the University of Alberta, March 3-5, 2016, to celebrate the 40th anniversary of their writer-in-residence program

See link here for more information

keep an eye on the above/ground press blog for author interviews, new writing, reviews, upcoming readings and tons of other material;

published in Ottawa by above/ground press
December 2015-February 2016
a/g subscribers receive a complimentary copy of each


and don’t forget about the 2016 above/ground press subscriptions; still available!

To order, send cheques (add $1 for postage; outside Canada, add $2) to: rob mclennan, 2423 Alta Vista Drive, Ottawa ON K1H 7M9 or paypal (above). Scroll down here to see various backlist titles (many, many things are still in print) or see the sidebar: www.abovegroundpress.blogspot.com

Review copies of any title (while supplies last) also available, upon request.

with forthcoming items by (among others) Sarah Mangold, Renée Sarojini Saklikar, John Barton, Pete Smith, Bronwen Tate and Geoffrey Young!

Friday, August 29, 2014

new from above/ground press: Weaver, Kaminski + mclennan,

Andy Weaver
Concatenations
for more information, click here
$4

Megan Kaminski
Wintering Prairie
for more information, click here
$4

How the alphabet was made,
[an instructional]
rob mclennan
for more information, click here 
$4
produced, in part, as a handout for Philalalia: the three-day book and art fair, September 25-27, Philadelphia PA

keep an eye on the above/ground press blog for author interviews, new writing, reviews, upcoming readings and tons of other material;

published in Ottawa by above/ground press
August 2014


a/g subscribers receive a complimentary copy of each


To order, send cheques (add $1 for postage; outside Canada, add $2) to: rob mclennan, 2423 Alta Vista Drive, Ottawa ON K1H 7M9 or paypal (above). Scroll down here to see various backlist titles (many, many things are still in print).

Review copies of any title (while supplies last) also available, upon request.