The road to becoming less
disgusting is a long one but doable
Is what my Tinder profile
says
I’m on the toilet swiping
left and right
I schedule an event in my
Google Calendar for October
Hello from March things
aren’t so great
I try to write a poem and
am like oh hi mom and dad
All my poems are about a
shame so deep I didn’t shit for two weeks in
college
The field is dead or
built over or really far away or too expensive or
there’s not enough time
I give myself my first
enema (“DESIRE”)
The full-length poetry debut by Brooklyn poet and No, Dear cofounding editor Alex Cuff, following Family, A Natural Wonder (Reality Beach, 2017) and I Try Out A Sentence to See Whether I Believe (Ghost Proposal, 2020), is Common Amnesias (Brooklyn NY: Ugly Duckling Presse, 2024). Set in four poem-sections—“Family, A Natural Wonder,” “How Are Your Bowels?,” “Even Robocop Dreams of His Assassins” and “I Try Out a Sentence to See Whether I Believe”—the quartered accumulations that make up Common Amnesias document a cluster of first-person statements, clarifications, declarations and explorations, composed as monologues against the potential for disappearing completely. “I write sentences while standing / Because I have sprayed dissolved magnesium / All over my lower body,” part of the second section writes. The poems are loose, fragmented, intimate, declarative and ragged, declaring themselves, however uncertain, as a point of being. “I dream the Guggenheim Museum drifts down the East River on a barge / Followed by the 6th Avenue Jefferson branch of the library,” she writes, as part of the opening sequence, “The subject of my anxiety shifts and lands on what is most socially palpable / I take the advice of several friends who say it is ok to not get out of bed // The contradiction of my own brain take it easy girl get the fuck off the floor [.]”
I have time
I eat a burrito at the
Parade Grounds
Go to the dollar store
Find a glass bowl with a
lid for school lunches
I spend the month
abstaining
Abstain from alcohol in
July
Abstain from alcohol for
most of July
I purchase a blue translucent
plastic spray bottle from Duane Reade
I make this purchase with
great hope and promise
Spray my thighs in
dissolved magnesium
I infuse herbs and drink
tea
Tulsi & wood betony
Yellow dock & fennel
Burdock & prickly ash
I have time on my hands
I lose ground and wrestle
I mistake privilege for
symptoms
I mistake the outside for
the inside (“How Are Your Bowels?”)
I’m fascinated by Cuff’s curious accumulations and linguistic twirls and twists, curlicues of sound, texture and meaning in lovely, small phrase-gestures, offering intimate fractures and confession. There is something about Alex Cuff’s work that feels closer to work produced through Futurepoem, somehow, than with ugly duckling (although perhaps my perception, from this geographic distance, may be flawed); it is through the ongoing and fragmented lyric narrative fracture that distracts, I suppose, one that holds despite every suggestion that it probably shouldn’t. As the second poem-section ponders: “I meditate on the relationship between constipation and fear of a lover’s / fear of anal [.]” Or, as she includes in the final sequence:
I read a story about a
man who struggles to support his consumptive wife
and her long ropes of hair by digging
graves and collecting scrap metal.
I thought it was a bad
story but find myself wondering where I can get a
wife with long ropes of hair.
Consumptive or not
everyone I know is dying.
I cross dye things
green from my to-do list.
I am in the produce aisle
at Key Food.
I am hushed by a man who
has his hands deep in the bananas.
I make synaptic space for
future threats.
I see sap in the trees so
I tap them.
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