![]() |
2022 |
![]() |
2009 |
We had numerous adventures, more than I could ever recall. Clare and I once climbed up a hill in Kamloops, as I was nearly struck by lightning. We sat up all night with Tom Snyders and Gerry Gilbert in Tom’s Vancouver warehouse, as Gerry danced a jig on the rooftop watching the sun rise over the mountains. That same trip, July 1997, Clare and I landed on George Bowering’s doorstep with a song in our hearts and a handful of six-packs. George ordered pizza; Clare made a salad. We started an informal writers group gathering in the late 1990s, a gathering that evolved into The Peter F Yacht Club, which originally met over drinks to discuss the possibilities of writing, and what we’d been working on (although a lot of those early sessions lapsed into silliness). She gifted me a bowling ball for one of my thirtysomething birthdays, and we repeatedly rolled it down the length of the Carleton Tavern (at least, until the staff stopped us). We sang “To Sir, With Love” loudly over the phone from the Atlantic Hotel Tavern in spring 1989 to Mr. MacLeod, having called him, both collect and anonymously. He knew it was us. We sang songs loudly off Ottawa International Writers Festival hospitality suite balconies at all hours (once convincing Paul Quarrington to join in our singing of Saturday morning cartoon theme songs), inadvertently causing the festival to be barred from multiple downtown hotels. As one of the organizers overheard an elderly couple complain to the front desk about the noise the next morning, they added: “But they were such good singers.”
![]() |
1988 |
“The last of the living Latremouilles,” she called herself. Except for that distant cousin, the long-time Vancouver radio dj (but we didn’t talk about him). I’ve a stack of photographs from when Clare and I ran through our high school, attempting to convince various of our teachers to pose with the nose glasses we provided (most said yes; at least one sternly but politely refused). I once borrowed her jean jacket so I could look cool, as a group of us made for Montreal for a Peace Concert at the Montreal Forum in 1987. The illustration she made of our pre-concert group in the park, drinking beer and playing guitar with a few dozen others, made its way onto the cover of the zine we invented as part of our high school “writer’s craft” class: assembling poems, stories, drawings. All of it published anonymously, of course. She could fall helpless into fits of giggles, including when dancing at the Carleton Tavern somewhere in the 00s, realizing her friend Joy’s dancing had caused Joy’s pants to fall off, without them noticing. There was an element to our pairing that rendered chaos, a joyous silliness that not everyone else had patience for, akin to six-year-old twins: each encouraging the other.
I published some of her poems in the first issue of my long poem magazine, STANZAS, in 1993, and in a chapbook, not that much later. She’d been working on a poetry manuscript she’d titled “Naked,” some of which sits in a file on my computer. The poems from STANZAS, her “Garden” series, that later fell into her novel, The Desmond Road Book of the Dead (Chaudiere Books, 2006). As the first of the series, “Garden,” reads:
I can make the garden
grow, the sun fall up and down in the sky, a man full grown from passion in my
tissue, in secret places I hide my fat and wait for rain for rain for rain
In August 2019, the last time I saw them, not long before Covid: an afternoon visiting Clare and Bryan on their farm in North Glengarry, a few miles east of the McLennan homestead, as my young ladies admired their two horses, and later accidentally stomped on a hive of bees at the end of the yard. At least we discovered neither young lady allergic, once they both stung. Clare offered them colouring, toys. They played a football game on the porch, and she delighted in them both.
How am I supposed to experience a world that Clare Latremouille no longer occupies? I shall have to be attentive enough for the both of us, I suppose. I shall have to be silly enough. An image in my head of the remaining members of Monty Python at Graham Chapman’s graveside, the first of the troupe to die: every one of them standing with pants at their ankles.
Condolences to her husband Bryan, sons Noah and Sam, her whirlwind of cousins and anyone else who was fortunate enough to fall into her orbit. I look forward to the stories still to come. I suspect they are many.
4 comments:
Thanks for this Rob
I am sorry for your loss, rob, beautifully drawn in your lively eulogy, rich in detail and in love, the very best kind of eulogy. My condolences to her family and friends.
From one of the 'whirlwind of cousins', thank you very much, Rob. This brought back so many memories, and captured Clare so beautifully.
I am Louise from Kamloops and Clare was my very first friend. I was one of the gang of naked garden raiders that frequented her magical home and hood where we grew up. I too struggle with the knowledge of a life without Clare. As I move forward I will always remember her generous soul, quick wit, twisted sense of humour and her keen sense of fun and wonder, giggles shared about random things. She was brilliant in so many ways. We were separated by time and distance but she will always be my first friend. I will love you forever Clare and all of our beautiful childhood memories pretending to be horses galloping through the hills.Then with our real horses when we were 11! Tobogganing down your hill, swimming anywhere and everywhere. Laughing and singing and being silly. You were such an amazing friend and I keep you forever in my heart and mind.
Post a Comment